398. Experimental Course
Electronic and Computer Music II
Designed for both music and non-music majors. Introduction to the use of computers in music creation: fundamentals of digital audio, sound-processing techniques, sampling and real-time computer music. The course has two major parts: history and theory and studio/music creation. Prerequisite Electronic and Computer Music I.
Politics of Movement
This class explores dynamic issues such as race, gender, class, sexuality and spirituality, framed through revolving case studies of world dance traditions. We will consider the impact of colonialism on expressive forms and how controversies emerge through transformative shifts in ownership. We will look at how definitive dance styles materialize through negotiation and the appropriation of marginalized influences, and how people use dance to embody, define, reinforce and empower personal and shared identity.
(Julie Searles)
Arts Administration
Students will explore the organization and administrative workings of performing arts groups, including symphony orchestras, choral ensembles, chamber music ensembles, folk, jazz and rock bands, among others. Lectures, individual readings and guest presentations will focus primarily on the non-profit arts organization in the areas of publicity, marketing, fundraising, board relations and programming, as well as managing a concert series or festival, the recording industry, community music schools, the touring artist, and educational residencies. Outside presenters from various area arts organizations will share insight into outreach and programming opportunities/challenges created by race, gender and ethnicity in the current sociopolitical climate. Students will interact with local arts organizations and concentrate on a specific genre for their final projects.